Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre Avion En Papier Pliage has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have came out occasionally, however the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved solely by folding.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated Avion En Papier Qui Vole Bien Et Longtemps Facile by Yoshizawa at a Convention in Liverpool. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching sculpture rather than Origami.
Bateau en papier
The particular associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the Origami Box Rose multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to symbolize some part of the animal and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a amount of pieces of different sizes.
Comment faire un avion en papier
In the most Origami Instructions Animals extreme combos of water and paper we are, of course , in the world of fun which is plainly an open-ended art. DecoratingThe simplest step from the single color is one side female and one white or plain. A great deal of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Origami Owl Charms of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The slicing out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary
(2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.